Tuesday, October 13, 2009
ye kis ne geet chhedaa ye kis ne geet chhedaa..uploaded by mastkalandr in youtube
ये किस ने गीत छेडा,ये किस की जुल्फ बिखरी ..
Movie: Meri Soorat Teri Aankhen मेरी सूरत तेरी आँखें (1963)
Singer: Mukesh & Suman Kalyanpur
Music: S. D. Burman
Cast: Asha Parekh & Pradeep Kumar
Lyrics:Shailendra
outstanding semi classical songs.., aap saaj aur awaz mei koi farak hai kya batayen
suman kalyanpur ji ko apne jamane ki sarvochch gayika ka khitab bhale hi na mila ho par sab jante hai ki we kisi bhi prakar ki gayki mei kisi se kam nahi ..,is geet ki suruaat mei aap unki awaz aur saaj mei koi farak ho to bataiye..,mera suman ji ko salam., jab tak suraj chand rahega suman ji aapka naam rahega... mastkalandr
Lyrics:
ye kis ne geet chhedaa ye kis ne geet chhedaa
dil meraa naache thirak thirak kis ne geet chhedaa
ye kis ki zulf bikhri ye kis ki zulf bikhri
jag saaraa gayaa mahak mahak kis ki zulf bikhri
chori chori haule haule thandi thandi hawaa aaye
kaliyon ke mukh choome bagiyaa ko sulgaaye
daali daali jaaye lachak lachak kis ki zulf bikhri
ye kis ne geet chhedaa
tum ne hi kiyaa tonaa tumne jaadoo pheraa
anjaani dagri pe chalaa dekho man meraa
matwaalaa gayaa bahak bahak, kis ne geet chhedaa
ye kis ki zulf bikhri
ek baazi main ne jeeti ek baazi dil haaraa
mere saajan tere kaaran main ne chhodaa jag saaraa
sang tere chali runak jhunak kis ne geet chhedaa
ye kis ki zulf bikhri jag saaraa gayaa mahak mahak
kis ne geet chhedaa dil meraa naache thirak thirak
kis ne geet chhedaa ye kis ne geet chhedaa ye kis ne geet chhedaa
प्रस्तुतकर्ता mastkalandr 11:01 PM
Category: People & Blogs
Tags: suman kalyanpur mukesh meri surat teri ankhen shelendra mastkalandr sd burman daa aasha parekh pradeep kumar
neend ud jaye teri chain se sone waale ..sung by Mubarak Begum, Suman Kalyanpur & Krishna Bose
neend ud jaye teri chain se sone waale
ye duaa mangte hai nayan ye rone waale...Film Juari (1968) जुआरी
This song is sung by Mubarak Begum, Suman Kalyanpur & Krishna Bose Very touching lyrics and all three women tanuja ,nanda ,naaz have sung this in great symphony in this movie
Movie : Juari (1968) जुआरी
Cast : Shashi Kapoor, Nanda, Tanuja, Naaz, Agha, Madan Puri, Achla Sachdev, Bhalla, Rehman, David Abraham, Madhvi
Music Director : Kalyanji-Anandji
Lyrics : Anand Bakshi
Director : Suraj Prakash
Producer : Lotus Production
Year of Release : 1968
Category: People & Blogs
Tags: mubarak begum suman kalyanpur krishna bose aanand bakshi mastkalandr juari1968 neend ud jaye teri shashi kapoor tanuja nanda naaz kalyanji aanandji hindi old is gold bollywood
Thehariye hosh me.n aa luu.N to chale jaaiyegaa ,ठहरिये होश में आ लूँ तो uploaded by matkalandr in youtube
Song :Thehariye hosh me.n aa luu.N to chale jaaiyegaa ,ठहरिये होश में आ लूँ तो चले जाइयेगा..
Film: Mohabbat Isko Kahte Hain (1965)
Music Director: Khaiyyam
Lyricist: Majrooh Sultanpuri
Singer(s): Mhammad Rafi Sahab , Suman Kalyanpur
Cast :Baby Nand, Shshi Kapoor
Story Writer and director : Akhtar Mirza
Genre : Love Story
HINDI LYRICS :
rafii: Thahariye hosh me.n aaluu.N to chale jaaiyegaa
suman: m ... m ...
rafii: aapako dil me.n biThaaluu.N to chale jaaiyegaa
suman: m ... m ...
rafii: aapako dil me.n biThaaluu.N ...
rafii: kab talaq rahiyegaa yuu.N duur kii chaahat banake \- 2
dil me.n aa jaaiye iqaraar\-e\-muhabbat banake
apanii taqadiir banaa luu.N to chale jaaiyegaa
suman: m ... m ...
rafii: aapako dil me.n biThaaluu.N ...
suman: mujhako iqaraar\-e\-muhabbat pe hayaa aatii hai \- 2
baat kahate hue garadan merii jhuk jaatii hai
dekhiye sar ko jhukaa luu.N to chale jaaiyegaa
rafii: m ... m ...
suman: dekhiye sar ko jhukaa luu.N to chale jaaiyegaa
rafii: haay, aapako dil me.n biThaaluu.N ...
rafii: aisii kyaa sharm zaraa paas to aane diije \- 2
rukh se bikharii hui zulfe.n to haTaane diije
pyaas aa.Nkho.n kii bujhaa luu.N to chale jaaiyegaa
Thahariye hosh me.n aaluu.N to chale jaaiyegaa ...
Category: People & Blogs
Tags: thehariye hosh mein aao
Thursday, April 23, 2009
Sunday, April 19, 2009
सुमन कल्यानपुर एक मीठी सुरीली आवाज़ ..
Sadly, the name may not ring a bell with the Indipop generation, but Suman Kalyanpur remains one of the best-loved voices of Hindi and Marathi
songs — almost 20 years after she stopped singing full-time.
At a rare and hurriedly convened interaction with reporters here on Wednesday, it was evident why. In the voice that immortalised hits like Ajahuna aye balama, Na tum hame jaano and Keshava Madhava (Marathi), she fielded questions hard and soft, with sweetness and dignity.
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. Was that ever a pressure factor?
songs — almost 20 years after she stopped singing full-time.
At a rare and hurriedly convened interaction with reporters here on Wednesday, it was evident why. In the voice that immortalised hits like Ajahuna aye balama, Na tum hame jaano and Keshava Madhava (Marathi), she fielded questions hard and soft, with sweetness and dignity.
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. Was that ever a pressure factor?
Suman Kalyānpur is a female singer in India
Hidustan ki koyal..
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training[1]. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe.
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), Saathi (1968) and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, Naushad, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs.
Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), and Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān).
Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Some of her memorable duets with Rafi are Parbaton Ke Petron Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram.
Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. She received three times the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie.
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, Nāvikā Re Vara Vahe Re, and Ketakichyā Banee Tethe Nāchalā Ga Mora.
Hidustan ki koyal
Hidustan ki koyal..
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training[1]. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe.
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), Saathi (1968) and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, Naushad, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs.
Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), and Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān).
Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Some of her memorable duets with Rafi are Parbaton Ke Petron Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram.
Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. She received three times the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie.
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, Nāvikā Re Vara Vahe Re, and Ketakichyā Banee Tethe Nāchalā Ga Mora.
Hidustan ki koyal
Saturday, March 14, 2009
Chhodo chhodo mori baiyyan -
Singer: Suman Kalyanpur
Movie: Miyan Biwi Razi
Year: 1960
Music: S. D. Burman
Lyrics: Shailendra
Cast: Seema, Shreekant, Mehmood
Bheegi Hawao Mein (Raj Kapoor & Beautiful Shakeela)
MOVIE:Shriman Satyawadi
CASTING:Raaj Kapur and beautiful Shakila Abbas
Roopkala Pictures
MUSIC:Datta Ram
LYRICS:Gulzar
SINGES: Suman Kalyanpur
EK BAAT KAHUN VALLAH YE HUSN SUBHANALLAH...[Beautiful Shakila-Raaj kapoor]
movie:Shriman Satyawadi
Casting:Shrimaan Raaj Kapoor And beautiful Shakila Abbas
Roopkala Pictures
Music:Datta Ram
Lyrics:Gulzar
Singers:Suman Kalyanpur Mukhes, Mahendra kapoor
THARIYE HOSH MAIN AAU TO CHALEJAIYEGA...
Music - Khayyam
Cast Shashi Kapoor Nanda Ramesh Deo
Movie - Mohabat Isko Kehte Hain (1965)
DIL KI KITAB KORI HAI KORI HI REHNE DO..
SONG:DIL KI KITAAB ,RAKHI & JEETU (YAAR MERA)
SINGERS:MOHAMMAD RAFI SAHAB,HINDUSTAN KI EKLOUTI KOYAL SUMAN KALYANPUR SAHIBA
MUSIC:SHANKAR JAIKISHAN
LYRICS:HASRAT JAIPURI
Friday, March 13, 2009
AAJ KAL TERE MERE PYAR KE CHACHE HAR JAWAN PAR...
Brahmachari [1968]
Production directed by G.P and Ramesh Sippy
Stars Shammi Kapoor, Rajshree, Pran, Mumtaz , Jagdeep, Sachin and Asit Sen. The Music Shankar Jaikishan.
The film ,a box office hit and won Filmfare Best Movie Award.
LYRICS;Hindi Lyrics:
Aajkal Tere Mere Pyar Ke Charche Har Zubaan Par
Sab Ko Maloom Hai Aur Sabko Khabar Ho Gayi
Humne To Pyar Mein Aisa Kaam Kar Liya
Pyar Ki Raah Mein Apna Naam Kar Liya
Aajkal Tere Mere.......
Do Badan Ek Dil Ek Jaan Ho Gaye
Manzilen Ek Hui Humsafar Ban Gaye
Aajkal Tere Mere.......
Kyon Bhala Hum Daren Dil Ke Malik Hain Hum
Har Janam Mein Tujhe Apna Mana Sanam
Aajkal Tere Mere Pyar Ke Charche Har Zubaan Par
Sab Ko Maloom Hai Aur Sabko Khabar Ho Gayi
YE MAUSAM RANGEEN SAMA THAIR JARA O JANE JA TERA MERA TERA PYAR HAI TO FIR KAISA SHARMANA..
Modern Girl [1961].
Starring: Pradeep Kumar and Saeeda Khan.
Music: Ravi
Singer: suman kalyanpur,mukesh
Lyrics:
ye mausam rangin sama thahar zara o jaan-e-jaan
tera mera mera tera pyaar hai to phir kaisa sharamaana
ruk to main jaauun jaan-e-jaan mujhako hai inakaar kahaan
tera mera mera tera pyaar sanam na ban jaae afasaana
ye chaand aur sitaare kahate hain mil ke saare aaja pyaar karein
ye chaanda bairi dekhe aise mein bolo kaise iqaraar karein
dil mein hai kuchh kahe zubaan pyaar yahi hai jaan-e-jaan
tera mera ....
ye pyaar ki lambi raahein baahon mein daale baahein kahin duur chalein
baithe hain ghera daale ye zaalim duniya vaale hamein dekh jale
ye mausam rangin sama thahar zara o jaan-e-jaan
tera mera tera pyar sanam ...
Mukesh (Hindi: मुकेश ) (July 22, 1923--August 27, 1976) was an Indian playback singer of Bollywood. Along with Mohammed Rafi and Kishore Kumar, he was one of the three leading male Bollywood playback singers from the 1950s to the 1970s.....
Mukesh's son, Nitin Mukesh, was a fairly popular singer in the 1980s and sings mostly devotional religious songs these days. His grandson Neil Mukesh is an upcoming actor who debuted in Johnny Gaddaar which released in September 2007.....
Awards;
National Film Awards; * 1974 - National Film Award for Best Male Playback Singer for Kain baar yoon bhi dekhaa hai song in the film Rajnigandha.
Filmfare Awards; * 1959 - Filmfare Best Male Playback Award for Subkuchh seekha humne song in the film Anari * 1970 - Filmfare Best Male Playback Award for Sabse bada naadan song in the film Pehchan * 1972 - Filmfare Best Male Playback Award for Jai bolo beiman ki song in the film Beimaan * 1976 - Filmfare Best Male Playback Award for Kabhi khabhi mere dil mein song in the film Kabhi Kabhie...
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe......
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs......
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, and Ketakichyā Banee Tethe Nāchalā Ga Mora....
[Wikipedia]
BHUJHA DIYE HAI KHUD APNE HATHON MOHABBAT KE DIYE JALA KE
Music - Khayyam Cast - Waheeda Rehman Kanwaljeet Nivedita
Movie - Shagoon (1964)
Lyrics:
bujhaa diye hain khud apane haathon, mohabbaton ke diye jalaa ke meri vafaa ne ujaad di hain, ummid
ki bastiyaan basaa ke tujhe bhulaa denge apane dil se, ye faisalaa to kiyaa hai lekin na dil ko
maaluum hai na ham ko, jiyenge kaise tujhe bhulaa ke kabhi milenge jo raasate men, to munh phiraa
kar palat padenge kahin sunenge jo naam teraa, to chup rahenge nazar jhukaa ke na sochane par
bhi sochati huun, ke zindagaani men kyaa rahegaa teri tamannaa ko bas men kar ke, tere khayaalon se
duur jaake
NA TUM HAMEN JANE MAGAR LAGTA HAI KUCHH AISA MERA HAMDAM MILGAYA...
Baat Ek Raat Ki" [1962] is an Indian Hindi film directed by Shankar Mukherjee. Starring Dev Anand and Waheeda Rehman. Music is by S D Burman....
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe......
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs......
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, and Ketakichyā Banee Tethe Nāchalā Ga Mora....
[Wikipedia & IMDb]
NA JANE KAHA TUMSE NA JANE KAHA HAMSE ...
Music - Dattaram Cast - Rajendra Kumar Meena Kumari Jayant
Movie - Zindagi aur Khwab (1961]
Thursday, March 12, 2009
MERE SANG GA GUNGUNA KOI GEET SUHANA..
"Janwar" is an Indian Hindi film made in 1965. Pruduced by S. Hardip and directed by Bhappi Sonie, starring Shammi Kapoor and Rajshree. Music by Shankar-Jaikishan....
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe......
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs......
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, and Ketakichyā Banee Tethe Nāchalā Ga Mora.
Tuesday, March 10, 2009
MOHABBAT KARLO JI BHARLO AAJI KISNE ROKA HAI..
Film: Aar Paar
Year: 1954
Producer & Director: Guru Dutt
Starring: Guru Dutt, Shyama, Shakila, Johnny Walker
Music: O P Nayyar
Singers: Mohammad Rafi, Geeta Dutt, Suman Kalyanpur
Ltrics:
ra : mohabbat kar lo jee bhar lo aji kisne roka hai
par bade gazab ki baat hai ismein bhi dhokha hai
su: shiqaayat kar lo ji bhar lo aji kisne roka hai
ho sake to duniya chhod do duniya bhi dhokha hai
ra : jahaan ye masti mast nazar pe chayi deta nahi kuch sujhayi
gi : takara ke nain milta hai chain murakh kyon rota hai ho
mohabbat kya hai suno ji hamse
sab kuch hai isi ke dam se
ra : kiya ek baar hamne bhi pyaar
kuch bhi nahi apna hai
milna chahu to mile judaai
ulfat mein yahaan judaai hai
gi : sab rang bhool khilta hai phool
bhanvara jab milta hai
mohabbat se khul jahaan khafa hai
par isamein bada maza hai
ra : jab dil dukhega us dam khulega
isamein kya hota hai
mohabbat kar lo ...
Monday, March 9, 2009
suman kalyanpur hindustan ki koyal
PUNE: Sadly, the name may not ring a bell with the Indipop generation, but Suman Kalyanpur remains one of the best-loved voices of Hindi and Marathi
songs — almost 20 years after she stopped singing full-time.
At a rare and hurriedly convened interaction with reporters here on Wednesday, it was evident why. In the voice that immortalised hits like Ajahuna aye balama, Na tum hame jaano and Keshava Madhava (Marathi), she fielded questions hard and soft, with sweetness and dignity.
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. Was that ever a pressure factor?
“The Manges-hkars were well-established much before I came on the scene. I was still able to carve out a niche for myself. If there had been any such pressure, wouldn’t I have dropped out at the outset?” What does she feel about the remixes era?
“I think they are mostly made by people who don’t like old songs. Or don’t understand them. Or aren’t getting any good new tunes. Only they can explain why they do it. I feel they must at least stop adding those raunchy music videos. It’s embarrassing to watch them on TV at home with children watching. The makers should act more responsibly.”
However, Kalyanpur is no old-fashioned prude. She welcomes technological advances. “Modern-day multitrack recording helps you combine the best takes of all performers. Recording with a live orchestra had its charm. But it often led to re-takes and therefore the best takes of individuals were lost. The orchestra was limited in my days. But that was not essentially good. Today’s orchestra fills up the track like ingredients of a good recipe.”
For youngsters, her word of advice is, “Learn to take care of your voice. Classical and popular singing, training and performing make different demands on your voice. Don’t go flat out and hurt your cords. Watch what you eat.”
When asked if a career in acting or music composition ever tempted her, she made a very important point for the new generation.
“All these fields are very specialised. Think one hundred times before joining a field. Once you have made up your mind, give it your best.”
As they left the venue, Mrs Kalyanpur held her husband’s hand as he had some trouble walking. Together, they made sweet picture. Even then, the lines she sang on popular request were ringing in everyone’s ears: “Keshava, Madhava tuzhya navaat re godava” (O Lord! Your name is sweetness). Actually, it was her voice that was sweetness. Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training[1]. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe.
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), Saathi (1968) and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, Naushad, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs.
Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), and Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān).
Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Some of her memorable duets with Rafi are Parbaton Ke Petron Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram.
Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. She received three times the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie.
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, Nāvikā Re Vara Vahe Re, and Ketakichyā Banee Tethe Nāchalā Ga Mora.
songs — almost 20 years after she stopped singing full-time.
At a rare and hurriedly convened interaction with reporters here on Wednesday, it was evident why. In the voice that immortalised hits like Ajahuna aye balama, Na tum hame jaano and Keshava Madhava (Marathi), she fielded questions hard and soft, with sweetness and dignity.
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. Was that ever a pressure factor?
“The Manges-hkars were well-established much before I came on the scene. I was still able to carve out a niche for myself. If there had been any such pressure, wouldn’t I have dropped out at the outset?” What does she feel about the remixes era?
“I think they are mostly made by people who don’t like old songs. Or don’t understand them. Or aren’t getting any good new tunes. Only they can explain why they do it. I feel they must at least stop adding those raunchy music videos. It’s embarrassing to watch them on TV at home with children watching. The makers should act more responsibly.”
However, Kalyanpur is no old-fashioned prude. She welcomes technological advances. “Modern-day multitrack recording helps you combine the best takes of all performers. Recording with a live orchestra had its charm. But it often led to re-takes and therefore the best takes of individuals were lost. The orchestra was limited in my days. But that was not essentially good. Today’s orchestra fills up the track like ingredients of a good recipe.”
For youngsters, her word of advice is, “Learn to take care of your voice. Classical and popular singing, training and performing make different demands on your voice. Don’t go flat out and hurt your cords. Watch what you eat.”
When asked if a career in acting or music composition ever tempted her, she made a very important point for the new generation.
“All these fields are very specialised. Think one hundred times before joining a field. Once you have made up your mind, give it your best.”
As they left the venue, Mrs Kalyanpur held her husband’s hand as he had some trouble walking. Together, they made sweet picture. Even then, the lines she sang on popular request were ringing in everyone’s ears: “Keshava, Madhava tuzhya navaat re godava” (O Lord! Your name is sweetness). Actually, it was her voice that was sweetness. Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training[1]. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe.
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), Saathi (1968) and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, Naushad, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs.
Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), and Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān).
Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Some of her memorable duets with Rafi are Parbaton Ke Petron Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram.
Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. She received three times the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie.
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, Nāvikā Re Vara Vahe Re, and Ketakichyā Banee Tethe Nāchalā Ga Mora.
YE KISNE GEET CHHEDA MAN MERA NACHE THIRAK THIRAK...
Movie: Meri Soorat Teri Aankhen (1963)
Singer: Mukesh & Suman Kalyanpur
Music: S. D. Burman
Cast: Asha Parekh & Pradeep Kumar
Lyrics:Shailendra
outstanding semi classical songs.., aap saaj aur awaz mei koi farak hai kya bataye
suman kalyanpur ji ko apne jamane ki sarvochch gayika ka khitab bhale hi na mila ho par sab jante hai ki we kisi bhi prakar ki gayki mei kisi se kam nahi ..,is geet ki suruaat mei aap unki awaz aur saaj mei koi farak ho to bataiye..,mera suman ji ko salam., jab tak suraj chand rahega suman ji aapka naam rahega... mastkalandr
Lyrics:
ye kis ne geet chhedaa ye kis ne geet chhedaa
dil meraa naache thirak thirak kis ne geet chhedaa
ye kis ki zulf bikhri ye kis ki zulf bikhri
jag saaraa gayaa mahak mahak kis ki zulf bikhri
chori chori haule haule thandi thandi hawaa aaye
kaliyon ke mukh choome bagiyaa ko sulgaaye
daali daali jaaye lachak lachak kis ki zulf bikhri
ye kis ne geet chhedaa …
tum ne hi kiyaa tonaa tumne jaadoo pheraa
anjaani dagri pe chalaa dekho man meraa
matwaalaa gayaa bahak bahak, kis ne geet chhedaa
ye kis ki zulf bikhri …
ek baazi main ne jeeti ek baazi dil haaraa
mere saajan tere kaaran main ne chhodaa jag saaraa
sang tere chali runak jhunak kis ne geet chhedaa
ye kis ki zulf bikhri jag saaraa gayaa mahak mahak
kis ne geet chhedaa dil meraa naache thirak thirak
kis ne geet chhedaa ye kis ne geet chhedaa ye kis ne geet chhedaa
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